








The Venus of Willendorf, 2024, fusain et crayon graphite sur papier, 11,69 x 16,54''
« Her capacity to generate life equipped her with a force both mysterious, dominant and disquieting… quite the opposite of the angelic woman and our conventional rhetoric of mother‑grace. »
— Sculpture Forum
« Woman‑woman bonds were an essential contribution to the development of communities and culture […] The curve of the world with navel as midpoint and vulva as symbol of rebirth […] thus woman stood in the center of the cult; her image was worshipped »
— Marie König, cited by Dark Matter Women Witnessing, on the centrality of women in prehistoric symbolism.
« Her capacity to generate life equipped her with a force both mysterious, dominant and disquieting… quite the opposite of the angelic woman and our conventional rhetoric of mother‑grace. »
— Sculpture Forum
« Woman‑woman bonds were an essential contribution to the development of communities and culture […] The curve of the world with navel as midpoint and vulva as symbol of rebirth […] thus woman stood in the center of the cult; her image was worshipped »
— Marie König, cited by Dark Matter Women Witnessing, on the centrality of women in prehistoric symbolism.